The final throes of production.
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| | With the sun out and Spring finally arriving this week, we’re in the very final throes of magazine production this week – doing the final checks on words and images across the upcoming issue, before we send it off to print before the printers ahead of the Easter break. It’s an edition full of creative adventurers, exploring the far reaches of their preferred technique and gathering inspiration from interesting sources, both near and far.
Alongside our new issue release, April also sees other new publications coming out, open calls opening (and closing) and print events starting to fill up our weekends. The start of spring often sees us all coming out of hibernation a little more and the inky offerings in this newsletter certainly echo that notion.
Keep well and keep on rolling… |
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| | John Coe Founder of Pressing Matters magazine
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| | Man Hands Make Print Work Whatever your choice of printmaking technique, you’ll likely be using your hands in some way. Be it mixing, hanging, tearing, wiping, rolling, scrumpling, signing, rolling or any other task when making your art, the handmade print is a thing of wonder. I’m pretty sure it was Fiona Quill that once said to me ‘think with your hands’ – meaning let your hands do the decision-making and let your mind enjoy the ride… I’ve been trying to do that more in my own practice and I’m excited to say that our upcoming issue has a wealth of artists and the inspiring results of what their clever hands get up to in the print studio. With our new edition due out in late April, you can find back issues and bundles as well as our current edition available online. |
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| | Ink Paper and Print coming to Lewes Tim Mainstone (Mainstone Press) and Joe Pearson (Design for Today) are running a two day print & Illustration fair in Lewes on Saturday 2nd and Sunday 3rd May. The latest outing for their excellent Ink Paper and Print events, they have a wonderful line up of 42 exhibitors who will be showing their work in the Town Hall venue. “We have printmakers, typographers, artists and illustrators, sculptors and small press publishers all setting out their stalls,” enthuses Tim. |
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| | Open Call, Open Soon The Fen Ditton Contemporary Printmaking Prize is back for 2026! This free-to-enter competition is open to all UK-based artists working in the field of original printmaking. The overall winner will receive £500 and the opportunity to be featured across the Fen Ditton Gallery networks and record an interview with Gallery Manager, Hannah Munby for their popular gallery podcast. An exhibition of shortlisted artists will take place at Fen Ditton Gallery from the 23rd May – 14th June. |
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| | Something that caught our eye from the Contemporary Collage magazine archives, Leah Ann Early’s Barker Parade series (one of which can be seen above) reflects the layers of the Australian bush as seen through the windows of her home on the South Coast of New South Wales. “The build up of shapes are a reflection of both the shadows within the branches, trunks and leaves, as well as the patterns within each living thing as you take a closer look,” she explains. Choosing 1960s and 70s publications as her source papers, Leah celebrates the richness of vintage pigmentation and renews the ephemera to create tangible and touchable stories. |
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Bodies in the River, River in the Bodies is an immersive and creative workshop centred on people's relationship to the River Avon. "Through hands-on activities, shared stories, zine making activities, screenprinting, cyanotyping, collaging and map-annotation, we want to reflect on how the river shapes our sense of place and our engagement with nature," muses Oscar Hartman Davies and George Cusworth – the two researchers responsible for putting on this free-to-attend event in collaboration with community-led group, We Are The Avon. "We're putting together a zine to capture people's diverse experiences of swimming in the river and caring for it". |
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| | Touch. Smell. Work With Your Hands In her article, Touch. Smell. Work With Your Hands (which appears in Issue 33), Maureen Elstgeest talks us through the name Skizze Labo and how her Netherlands-based workshop is all about the discovery of seeing what works – both for her own creative practice and that of others. “Skizze literally means sketch. For me it’s also an attractive phase that you can find yourself in – a place where you can explore, play around and see what happens,” she says. “To be able to host other creatives is both enjoyable and valuable. The energy and enthusiasm that fills the workshop is infectious.” |
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| | Complex / Unreconciled Paola Horevicz Hurtado is a Brazilian‑American printmaker and book artist based in the Bay Area, California, who’s been working with Macy Chadwick as her printing assistant at her In Cahoots Residency for over a decade. This year, she’s debuted her own press, Pitsky Press and has shared her new letterpress printed artists’ book, Unreconciled with us. “I am attempting to reconcile two versions of myself in this piece – the person I was before understanding my brain’s wiring and the person who has emerged since that discovery,” she notes. The book examines the complex emotions that accompany receiving an ADHD diagnosis later in life and pairs text with a continuous black line that traces the ups, downs, and confusion of thought and feeling, layered over background imagery inspired by brain scans from an ADHD research study conducted at the University of Zurich.
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| | The Hand Cover Star We’re excited to see that long-time supporter and friend of the magazine Annie Silverman, who works under the name Abrazos Press, has her artwork on the cover of upcoming issue of The Hand Magazine – a publication which shares a fascinating breadth of alternative and historic photographic processes plus all types of printmaking. "We want to encourage inspiration, education and community for artists using unique, mixed media, experimental and reproduction-based techniques", says co-editor Adam Finkleston. Along with designer James Meara, they've been publishing since 2013 and their 52nd issue is out on April 10th and available for pre-order now. |
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| | We are pleased to be able to offer a discounted bundle for issues 30, 31 and 32 – at a special price of £25 + shipping (whilst stocks last). This bundle of printmaking loveliness is packed with 300 pages of inky inspiration and includes our three most recent back issues. Across the articles, we hear of collaborative journeys and shared languages, of master printers and edition makers, of delicate designs to epic depictions – every one looking to connect with others through making. |
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The Story of Printmaking: A Global History of Art by Holly EJ Black is a vivid history of the evolution of printmaking as a means of creative expression, from pre-history to the present day. Also demystifying how prints are made – from woodblock to etching – it explores how, throughout history, print-making has straddled ‘fine’ art practices and commercially-minded production. We’re excited to have been sent an advance copy of the book and will be digging deeper into it for our July edition. |
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