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THE WEEKLY REVEAL

Saturday, June 20, 2026 

The Biggest World Cup Is Here, But Who Gets to Enjoy It?

A Black soccer player stares defiantly at the crowd as a teammate hops onto his back with a celebratory raised fist. The US teammates are dressed in red-and-white striped shirts with white shorts. Behind them on the field, several team members rush to greet them in front of a stadium filled with fans.

Patrick T. Fallon/AFP/Getty

Listen to the episode
The World Cup is here. 

For the first time, the tournament is happening in three countries at once: the United States, Mexico, and Canada. It’s bigger than ever, with more teams, more games, more viewers, and more money on the line.

This special World Cup episode of Reveal looks beyond the spectacle of the beautiful game to the organization behind it: FIFA. The global soccer body stands to take in billions from the tournament, while fans face soaring ticket prices and host cities pay massive sums for transportation, security, and infrastructure.

“Sport is this incredible glue that brings people together,” human rights advocate Mustafa Qadri tells Reveal. But he says that also makes it “highly vulnerable to cynical people coming in and exploiting it for their own gain.”

This week, reporters Alex Shephard, Tim Murphy of Mother Jones, and Reveal producer Artis Curiskis follow the money, power, and politics behind the World Cup—and ask who gets to be part of the world’s biggest game.
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THE FACE BEHIND THE VOICE: ARTIS CURISKIS 

While listening to Reveal, do you ever find yourself wondering about the producers who create this award-winning show? If you answered yes, I’ve got some great news for you. Welcome to The Face Behind the Voice, where we introduce you to your favorite journalists and producers.

This week, we have Artis Curiskis, one of the brilliant producers who worked on this week’s episode on the World Cup. 
A black and white picture of a young white man, with curly hair, giving a closed-mouth smile to the camera.

Hi, Artis! How did you get involved in journalism? 

I was part of my high school newspaper, and I had a great teacher. I grew up in Minneapolis, but my high school was far away from my neighborhood. By joining the newspaper, I had a good excuse to talk to people and learn about the community.

I shifted into documentary, film, and audio work and thought I was going to go that route. Then the pandemic hit. I ended up doing data journalism for the Covid Tracking Project at The Atlantic.

We kind of became the de facto CDC for a stint, collecting all this Covid data like deaths and hospitalizations. I worked with a co-worker to turn that into an audio series for Reveal called “The Covid Tracking Project.” It ended up nominated for a Peabody Award.

What was your favorite part about reporting on this episode? 

Almost everyone wanted to talk to me about how much they love soccer and the Haitian national team. 

I also got to spend a lot of time out in the field for this piece. I was shadowing this semi-pro Haitian soccer team based in Brooklyn, and I got really invested, going to their practices and their games and talking to them. That was really, really fun. 

I grew up playing soccer. I’ve played it my whole life. It was great to take something that’s been a lifelong passion and pursue it differently, doing more than just being the one playing. We were trying to tell a story about a love for the game, but reveal that there’s a dark side to it and how you have to hold both of those at the same time.

Is there anything that didn’t make the cut that you wished had made it?

One source that we spoke to had this beautiful story about voting for the first time when he became a US citizen. His father was one of dozens killed in Haiti trying to vote, and he had this beautiful moment of reflection that I wish we could’ve included.

On a more joyful note, I spoke with so many professional soccer players who were extremely shy and nervous about being interviewed. I spoke to one guy who had just moved to Brooklyn from Georgia. He had joined this team so he could connect with the Haitian community.

He said, “I’ve never been interviewed before,” and his coaches were so encouraging, saying, “C’mon, you can do it!”  You could really tell that he got over his fear during our conversation, and I really wanted him to be a main character in this episode, but it didn’t shake out. 
 

If you had to put together a soccer team consisting of the people who make Reveal, who would you pick and why? 

Okay. You’ve got Najib Aminy at forward because he’s very strong-willed and won’t back down. You kind of need someone fearless in that way up there, so I think he’d be great. 

You put Ashley Cleek in the midfield because she’s an orchestrator; she can really coordinate and get everyone moving, a real captain or team leader. Jonathan Jones and Brett Myers are the two center backs because they see issues coming down the pike faster than a lot of people. Nadia Hamdan and Steven Rascón are insanely creative, so you’ve got them on the wings. Taki Telonidis would be in the midfield, since he’s another great organizer. And Kate Howard, another organizer, would be protecting everyone in the midfield.

 

If you were introducing Reveal to someone for the first time, which episode would you show them first? 

There are actually two episodes that I’d recommend: 

Nadia’s recent episode, “The Gaza Flotilla Story You Didn’t Hear” was both really beautiful and an absolutely unique way to hear this story. You really feel like you're on one of the flotillas. It demonstrates not just the absurd access Reveal gets sometimes, but it’s one of these stories told in a way that no one else can do because of the audio medium. It'd be much, much harder to try telling that through video. 

The second one I would recommend is “The Landlord Gutting America’s Hospitals,” by Ashley Cleek and Hannah Levintova. It’s really strong. I think the opening part of it still sits with me, the sound of a still hospital. It drives home the absurdity of private equity taking over healthcare. 

I think that one has a real accountability impact-focused one, and the flotilla piece is a really humanizing story. And those are two sides that Reveal brings to every episode.

Bryan Stevenson on Confronting America’s Legacy of Slavery

A close-up photograph of a middle-aged Black man who is staring downward pensively as he holds his right hand up to his chin. The man has a shaved head and wears a long-sleeved shirt with a blue-and-purple checkered pattern. On his wrist is a bracelet with red beads. Behind him, out of focus, is a wall of books.

Ricky Carioti/The Washington Post/Getty

When Bryan Stevenson moved to Montgomery, Alabama, in the 1980s, the city—one of America’s most prominent slave trading spaces before the Civil War—had dozens of Confederate monuments and memorials, but nothing commemorating slavery. Today, thanks to Stevenson’s efforts, the city looks much different. 

Over the last decade, the executive director of the Equal Justice Initiative has transformed parts of Montgomery through markers acknowledging the legacy of slavery while also building the Legacy Sites, a series of museums and memorials that commemorate America’s dark history of lynching, slaveholding, and racial terror across the South. 

On this week’s More To The Story, Stevenson talks about the importance of memorializing America’s full history as the Trump administration attempts to erase slavery and lynching from the nation’s museums and why he sees today’s narrative struggle for racial justice as a generational battle.

Find this episode wherever you listen to Reveal, and don’t forget to subscribe:

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In Case You Missed It

A middle-aged woman with thin dark long hair sits in an office chair with a flower pattern. She’s looking directly into the camera with a gentle smile. She is wearing a dark, textured short-sleeve shirt and dark shorts, sitting with her legs crossed at the knee. Her desk and entire office are cluttered with papers and books, including a wall of books on wood shelves behind her. On the wall to her left hangs a white curtain with a flower pattern over a window beside a portrait that she says is of her great-great grandmother.

🎧 Heather Cox Richardson on the Real Genius of America

Richardson, a historian and Substack superstar, talks about her beef with Thomas Jefferson and how she defines patriotism today.

Photo Credit: Erin Clark/The Boston Globe/Getty

Three women hold signs that read: "Women with AIDS dead but not disabled," "Women with HIV get pulmonary tuberculosis/Cash not caskets," and "Women with HIV get pelvic inflammatory disease/Cash not caskets."

🎧 The Plague in the Shadows


Decades before Covid-19 appeared, AIDS tore through the US, but there was little help for the most vulnerable communities.

Photo Credit: Donna Binder
Out of focus in the foreground, a male reporter in a suit and tie speaks with a microphone in hand. Behind him, a crowd of people, many wearing red MAGA baseball caps, appear to jeer and boo. One person holds up a handwritten sign that reads “CNN sucks.”

🎧 We Get It. You Don’t Trust Us.
 

A majority of Americans say they don’t trust the news media. But what if people are wrong about what’s really wrong with journalism?

Photo Credit: Sean Rayford/Getty
A young Black man holds a microphone to his mouth with his right hand as he gestures with his left hand. Shirtless, he wears baggy jeans over blue-and-red boxers that peek out, a blue bandanna tied around his head, and a cross with a gold chain that dangles from his neck. Among the tattoos on his arms and torso, the most prominent one, just above his belly button, reads “THUG LIFE.”

 🎧 The Revolutionary Roots That Inspired Tupac Shakur

Author Jeff Pearlman explains his obsession with the legendary hip-hop artist and why he set out to write a definitive biography for him.

Photo Credit: Raymond Boyd/Getty

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This issue of The Weekly Reveal was written by Arianna Coghill and edited by Nikki Frick. If you enjoyed this issue, forward it to a friend. Have some thoughts? Drop us a line with feedback or ideas!
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